While The Rolling Stones rehearse "Sympathy for the Devil" in the studio, an alternating narrative reflects on 1968 society, politics and culture through five different vignettes.

When a suburban couple goes camping for the weekend at a remote beach, they discover that nature isn't in an accommodating mood.

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

A depressed woman, Barbara, is on the verge of suicide while a man she meets in a church and a married couple try to convince her that life is worth living.

Daniel needs some money to buy a duffle coat that is in fashion, so he agrees to work for a photographer by dressing up as Santa Claus. He discovers that it is much easier to meet girls when he is in his costume.

The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".

A husband and wife lie to each other about their weekend travel plans, only to both show up at the family's country house with their lovers.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he's there, or why he's bleeding from a stomach wound. Apparently drugged, he occasionally 'zones out' of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.

During a war in an imaginary country, unscrupulous soldiers recruit poor farmers with promises of an easy and happy life. Two of these farmers write to their wives of their exploits.

A father says goodbye to his young daughter. In time the daughter grows old, but within her there is always a deep longing for her father.

As the city of Paris and the French people grow in consumer culture, a housewife living in a high-rise apartment with her husband and two children takes to prostitution to help pay the bills.

A silent, surreal parallel between a couple and a dog.

In this Dickens adaptation, orphan Pip discovers through lawyer Mr. Jaggers that a mysterious benefactor wishes to ensure that he becomes a gentleman. Reunited with his childhood patron, Miss Havisham, and his first love, the beautiful but emotionally cold Estella, he discovers that the elderly spinster has gone mad from having been left at the altar as a young woman, and has made her charge into a warped, unfeeling heartbreaker.

Maria marries a young soldier in the last days of World War II, only for him to go missing in the war. She must rely on her beauty and ambition to navigate the difficult post-war years alone.

An introverted teenager tells his parents he is going on a ski trip, but instead spends his time alone in his mom's basement. But things didn't go as planned after his half sister joins him.

A fictional account of the life of Japanese author Yukio Mishima, combining dramatizations of three of his novels and a depiction of the events of November 25th, 1970.

A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.

กลับมาคราวนี้ เจสัน บอร์น มาพร้อมกับความทรงจำ แม้ว่าจะจำได้ทุกอย่าง แต่ก็ไม่ได้รู้ทุกอย่างเสมอไป ภาคนี้ทิ้งห่างจากภาคก่อนถึง 9 ปี โดย พอล กรีนกราสส์ ผู้กำกับภาพยนตร์บอกว่า “กว่าจะกลับคราวนี้ใช้เวลานาน เพราะเรายังไม่ได้บทที่โดนใจ” และให้ข้อมูลเพิ่มเติมว่า “เจสัน บอร์น ไม่ได้เป็นซุปเปอร์ฮีโร่ จึงไม่ต้องใส่หน้ากากหรือผ้าคลุม เขาเป็นเพียงผู้ชายธรรมดาคนหนึ่ง ผมคิดว่าตอนที่คนดูเจสัน บอร์น พวกเขาสามารถจินตนาการได้ว่าจะตอบโต้กับสถานการณ์และสภาพแวดล้อมได้อย่างไร มันตื่นเต้นมากเวลาที่คุณเห็นเขาคิดแผนการและเริ่มปฏิบัติการตามแผน” ในภาคนี้ แมตต์ เดม่อน จะประกบคู่กับ อลิเชีย วิกันเดอร์ นักแสดงสาวรางวัลออสการ์ปีล่าสุด พร้อมด้วย จูเลีย สไตล์ และทอมมี่ ลี โจนส์ โดย แฟรงค์ มาร์แชล กลับมาดูแลงานสร้างร่วมกับเจฟฟรีย์ ไวเนอร์ จากแคปทิเวท เอนเตอร์เทนเมนท์ นอกจากนี้ กรีนกราสส์, เดม่อน, เกร็กกอรี กู๊ดแมน และเบน สมิธ ยังร่วมสร้างภาพยนตร์เรื่องนี้ด้วย

A high school student suffers from a strange amnesia, causing her memories to only last a week. After she befriends a new student, his kindness and persistence make her gradually open up.