In the led-up to the 1989 WWE Survivor Series, top WWE Superstars strive to Survive!

Captain Kirk. T.J. Hooker. Denny Crane. Big Giant Head. Alexander the Great. Henry V. Priceline’s Negotiator. These are but a handful of the innumerable masks worn by William Shatner over seven extraordinary decades onstage and in front of the camera. A peerless maverick thespian, electrifying performer, and international cultural treasure, Bill (as he prefers to be called), now 91 years young, is the living embodiment of his classic line “to boldly go where no man has gone before.” In unprecedented fashion, You Can Call Me Bill strips away all the masks he has worn to embody countless characters, revealing the man behind it all.

A comedy about breaking up enough times to finally move on. This funny and moving short asks how far will someone go to mend a broken heart as it follows a young woman and her unusual way of dealing with a brutal break-up.

A young photographer's home is haunted by it's former residents.

Erika and Tristan fell in love in their younger years. When they meet again, will Erika be willing to risk her heart again?

Originally released in 2001, Disposable Arts is a thematic/concept album by Masta Ace. The concept follows that Masta Ace is being released from prison, his return to home and joining ‘The Institute of Disposable Arts’. The album is one complete story with the skits and songs together. The album contain many guest artists like Masta Ace’s own group eMC (Stricklin, Punchline & Wordsworth), Apocalypse, Greg Nice, Rah Digga, J-Ro, King T, Jean Grae and more. Also a bunch of different producers, this album is seen as a classic album by most Hip Hop heads. This reissue by Below System, contains almost a 2 hour making of DVD where you will see most of the contributors to the Disposable Arts album. Interviews, stories behind the tracks and more content about the making of Disposable Arts.

Two shoeshine girls and a newspaper vendor survive in the Mapocho neighborhood of Santiago. While looking for better luck, Maruja becomes involved with a businessman who helps her become a famous singer. Meanwhile, the two shoeshine boys happen to come across some money from a bank robbery, changing their luck.

Sibling rivalry and other conflicts are revealed as one daughter, now a successful modern artist living in New York, returns to visit her Texas family.

Mexican feature film

It stars David Chiang, as the taxi driver whose adventures reveal Hong Kong's verve with wit, compassion and loads of action.

Zhang Da, a Chinese police detective in a Southeast Asian country is looking for his trafficked son. He meets a Chinese woman, who was trafficked as a child.

The Inspector goes after Spider Pierre an expert pickpocket.

The Peruvian Galapagos Islands feature in Hammer’s film Endangered, where Blue-footed Boobies, seals and iguanas are equated with the filmmaker herself who identifies light, life and the genre of experimental film to be threatened with extinction in this late twentieth century. Every image is marked and cancelled before it disappears. Even the emulsion of the film is treated with acid showing its fragility. The film is a highly effective compilation of image, colour and sound building upon each other, slowly heightening the sense of urgency. Against this mood there is a reassuring image of a silhouetted woman working at the film projector. A strong, competent, fearless woman. Woman documenting, warning, saving.

Tom's being especially lazy, which makes it even easier for Mammy to toss him out when her new mouse-catching robot cat, Mechano, arrives. Mechano is frighteningly efficient, foiling several attempts by Jerry. Jerry turns this efficiency against him by unleashing several mechanical mice; the zealous robot makes a shambles of the house, and finally itself, in the process of chasing them down. Tom is welcomed back, but at the last moment, a key part of the robot had gone down Tom's throat; Jerry activates it, and sends Tom chasing after one of the wind-up mice.

A man hops on buses to tell stories to the passengers and raise a little cash. As we hear and see more of these stories, the big story behind them all emerges.

In the Mouffetard district of Paris, Jérôme Crainquebille, an affable four-season merchant, is stopped by a police officer and taken to the station, unjustly accused of shouting "Mort aux vaches!" ("Death to the cows!"). When he returns to work after a fortnight's detention, he is ostracized by his neighbors. Lonely, Crainquebille sank into despair and alcoholism. His life in prison seemed sweeter, and his attempts to return were in vain. He owes his salvation to the affection of a local kid.