A local children's television program is cut short after its title host quickly descends into madness.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

A subtle and brilliant sexual awakening of a boy, who is torn between following his wishes or away from them, even though the world that opens before it is too powerful to be ignored in this way.

In the Asturian town of Llanes (Spain), we see an example of Asturian pilgrimage, with the festival dedicated to San Roque.

In 1901 people in Belfast paid their tram drivers in carrots.

Childhood friends Sota, and Rakuto are on a journey to find the Phoenix, which shouldn't exist. As adults, there remains a dark shadow over each of them as their lives have progressed, thus they seek a bit of escapism in their travels. Parallel to their own story, is the mysterious bride. Not to mention a deserted youkai snack bar in the underworld, a gang from an SM Castle, an agricultural rapper, a young man on a bike trip, a monk peaching about enlightenment, the owner and operator of an empty movie theater, and more that the duo meet on their aimless journey. The hints of the true colors of life are within the journey, so what kind of Phoenix are they looking for?

It’s 1942, and Portugal languishes under dictatorship and WWII rages just beyond its borders. Secrets, half-truths, and mistrust prevail in the state security office of chief inspector Varga, who makes professional privilege a cover for his unprofessional interest in a boldly carnal refugee and her alleged brother. Director/writer Saboga (screenwriter for Raúl Ruiz’s MYSTERIES OF LISBON) saturates the dark world of this predatory tale with steamy eroticism and paranoia, starting with the incestuous desires of his bi-curious adolescent daughter and including the family maid.

This film attempts to awaken our social consciousness. It brings to light certain evils of our society and shows how the people must co-operate with the Government in its fight against corruption in the country.

When Gabino's father returns home after a long absence, the two men awkwardly attempt to re-establish a relationship; but Gabino and his mother quickly tire of this man who has become a stranger to them and decide to kick him out, before realizing that he has already left. Gabino eventually tracks his father down and spends time with him in his rundown apartment, trying to figure out if there is any possibility for the two of them to ever truly communicate. Though Greatest Hits continues Pereda's exploration of his perennial themes of absence, masculinity and the difficulty of maintaining a family, it opens up a whole new set of aesthetic questions through a bold formal gambit: halfway through, the entire narrative reboots and starts from scratch with another actor playing one of the key characters, leading to different iterations of events already witnessed.

A son is reunited with his long lost father for the first time. You might imagine it's time to discover everything about where he's come from and where he's going. But he's about to get a surprise...

A man and a woman wake up in a hospital room. She's a nurse, he's a patient. Problem: a large metal object on his back. While the woman tries desperately to escape, the man experiences an inner struggle on the borderline of dream and reality. What has happened before?

An investigation into the truth behind the murder of Guatemalan Bishop, Juan Gerardi, who was killed in 1998 just days after trying to hold the country's military accountable for the atrocities committed during its civil war.

With much of Mogwai’s recent output having fallen uncharacteristically flat, one could be forgiven for thinking that this release, a live album and DVD set, signals the once-great band finally running out of ideas. Yet while Special Moves/Burning offers nothing in the way of new material, it serves as a timely reminder of Mogwai’s immense talent and eternal ability to inspire.