เมื่อนักธุรกิจหนุ่มกับภรรยารู้ความจริงว่า ลูกชายตัวเองถูกสลับตัวตั้งแต่แรกเกิด ทั้งคู่จึงต้องเลือกระหว่างลูกชายที่แท้จริงกับเด็กชายที่เลี้ยงดูมา

ยุ่น (ซันนี่ สุวรรณเมธานนท์) ชายวัย 30 คือฟรีแลนซ์มือรีทัชรูปที่งานยุ่งที่สุดในประเทศไทย ความสุขของฟรีแลนซ์อย่างยุ่น นอกจากการได้เห็นงานเต็มปฏิทิน ไม่เว้นวัน เสาร์ อาทิตย์ และวันหยุดราชการแล้ว ก็คืองานเร่ง งานด่วน งานที่ลูกค้าแก้ไม่รู้จบ มันเป็นความท้าทายที่นักรบมืออาชีพแบบเขาต้องทำให้ได้ โดยไม่มัวไปเสียเวลาด่าลูกค้า จึงไม่น่าแปลกใจว่าทำไม เจ๋ (วิโอเลต วอเทียร์) โปรดิวเซอร์รุ่นน้องจากเอเจนซี่โฆษณา ถึงจ่ายงานให้เขาทำอย่างสม่ำเสมอ จนเต็มปฏิทินล่วงหน้าไปหลายเดือน ทุกครั้งที่เจ๋โทร.มา ยุ่นจะรู้ว่า ความสนุกกำลังจะเริ่มขึ้นอีกครั้ง

Twelve-year-old Koichi, who has been separated from his brother Ryunosuke due to his parents' divorce, hears a rumor that the new bullet trains will precipitate a wish-granting miracle when they pass each other at top speed.

Twelve years after their beloved eldest son, Junpei, drowned while saving a stranger's life, Kyohei and Toshiko welcome their surviving children home for a family reunion. Younger son Ryota still feels that his parents resent that he isn't the one who died; his new wife, Yukari, is awkwardly meeting the rest of the family for the first time. Daughter Chinami strains to fill the uncomfortable pauses with forced cheer.

In a small Tokyo apartment, twelve-year-old Akira must care for his younger siblings after their mother leaves them and shows no sign of returning.

A study of the friendship between a Chinese woman and a fisherman who came to Italy from Yugoslavia many years ago, who live in a small city-island in the Veneto lagoon.

In 1939, Sakura Nishi is a young army nurse who is sent to the field hospitals in China during the Sino-Japanese war. She has to assist the surgeon Dr. Okabe with an incredible number of amputations. In the crowded wards, she gives sympathy to some of the soldiers, including sexually servicing one who has lost both arms and has no hope of returning home. She falls in love with Dr. Okabe, and follows him to the front, even though he is impotent from his morphine addiction

A story about a karaoke-addicted old woman struggling with her self-worth and a sense of betrayal at her long-lost husband's funeral where she encounters his younger and more sophisticated girlfriend while she finds out her kids might have been secretly in touch with her late husband all these years.

In an invisible territory at the margins of society, at the border between anarchy and illegality, lives a wounded community that is trying to respond to a threat: of being forgotten by political institutions and having their rights as citizens trampled. Disarmed veterans, taciturn adolescents, drug addicts trying to escape addiction through love, ex-special forces soldiers still at war with the world, floundering young women and future mothers, and old people who have not lost their desire to live. Through this hidden pocket of humanity, the door opens to the abyss of today's America.

Because of her last name "Kumada" (bear + rice paddy) and her appearance, Misa's high school classmates call her "Pooh" disparagingly. She obviously has no friends and can only let down her guard around her pet parrot and the goldfish in the science room at school. But, then she finds herself quickly becoming best friends with Izumi who is a cute and popular classmates. Although somewhat puzzled by Izumi's interest in her, Misa is excited about having a friend for the first time ever. But, Izumi's initial angelic demeanor gradually transforms into a demonic one.

From an Alaskan strip club, a Hawaiian island, and the streets of NYC—revelatory stories emerge about a deeper definition of love.

15-year-old Aya Kito was an ordinary girl, the daughter of a family who works at a tofu shop, and a soon-to-be high schooler. However, odd things have been happening to Aya lately. She has been falling down often and walks strange. Her mother, Shioka, takes Aya to see the doctor. How will Aya react when told about her disease? And how will Aya live from now on?

When widow Eva mysteriously disappears then soon resurfaces, police never fully believe her kidnapping claim. When Eva vanishes for a second time, her daughter Sami tries to convince authorities that her mother is truly being targeted.

Two losers men in their thirties are having the worst night in their life when they discover that they will soon be millionaires. The only thing that they haven't thought about is that the way to the million will lead them to a journey in which they will meet some of the worst surreal and crazy people, that will try to take their money in any cost.

In 1974, Morikazu is 94 years old and his wife Hideko is 76 years old. They live at a house in Ikebukuro, Tokyo. The garden at their home is full of trees, plants and insects. Morikazu paints pictures of the creatures in his garden and also observes them. This has been his daily routine for more than 30 years. Morikazu and Hideko entertain visitors every day including a photographer and the couple living next door.

Tatsuhiko Shiratori works as a scout, recruiting girls to work in the adult entertainment business. He movies to Yokohama from Shinjuku, Tokyo. He comes into conflict with Masaki Taki who is the CEO of a scout company.

The story, set in the heady post-war 50s into the early 60s , revolves around a love triangle between Tomoko, long playing the mistress to married older writer Shitto and the new stud who comes into her life, Ryota Kinoshita. Tomoko is sick and tired of her relationship with writer Shingo, who is married and has children. Shingo is a talented writer, but has yet to be recognized by the public. Tomoko then enters into a sexual relationship with younger man Ryota Kinoshita, but Tomoko is not satisfied.

When Michael attempts suicide and doesn’t leave a note, he inadvertently awakens Hattie, a demon that haunts the psychiatric hospital he's in. Now he must find a way to stop her rampage before she kills everyone he connects with.

A documentary on the director’s career, featuring interviews with friends, collaborators, and filmmakers.