I wouldn't answer if I were you' Hello is the story of a young lady who falls prey to an evil killer.. alone in her apartment, eagerly awaiting the return of her boyfriend, the phone rings...

A recap of Kimetsu no Yaiba episodes 11–14, with new footage and special end credits. Tanjiro ventures to the south-southeast where he encounters a cowardly young man named Zenitsu Agatsuma. He is a fellow survivor from Final Selection and his sparrow asks Tanjiro to help keep him in line.

Everybody's gotta have it all!

Elyas, a former Special Forces soldier who has become paranoid since a mission in Afghanistan, is recruited to ensure the safety of Amina and her daughter Nour, 13 years old, both of whom came from the Middle East for the holidays. As he takes office, Elyas senses something is up.

An ancient cult embroiled in a sinister blood trade makes the deadly mistake of abducting a young woman with a violent, shocking past.

During the Mexican Revolution, a young and idealistic priest is forefuly recruited into the army where he faces the realities of war.

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.

An ex-con's plans to retire to Florida with a fortune in stolen money are waylaid after his former boss coaxes him to a remote bed and breakfast to protect the daughter he has never met. A storm traps him and 6 others at a B and B, events turn deadly. These seven seeming strangers discover that their lives are all connected by a tragic murder, from eleven years earlier.

Kabul - a city struggling to recover from 25 years of warfare. Taxi driver Khaled picks up a woman and baby. Her face is hidden behind a blue burka. They settle on a price, she pays him and they drive off. The taxi arrives at its destination. The woman gets out and a new passenger climbs in... to find the baby still in the backseat. Khaled leaps out after the woman but she's vanished. He's left holding the baby - a 6-month-old boy. Who is the mother? How can he find her? He asks friends and strangers in the street. He returns to where he picked her up. Nothing. Fate has handed him a young life for which he feels more and more responsible. An eventful, chaotic, often highly comic journey through a city which is itself simply trying to survive. Poignant, rich, vibrant, Barmak Akram's debut feature is a remarkable portrait of one man's emotional awakening in a city returning to crazy life after 25 years of violent conflict.

In a remote village in Karelia, Sergeant Vaskov commands an anti-aircraft unit that protects a rail depot. While his men are transferred to the front line, he is reprimanded for their unruly behavior. He retorts that he wants replacements that aren't drunks or womanizers. In response, he is assigned a unit made up entirely of young women, fresh from training.

Two buddies from Pancho Villa's regiment go on a mission. Light comedy, romance, songs...

In the early nineties, before the massive gentrification of many of New York's then slums, several young people from very disparate backgrounds left their broken homes and ventured onto the brutal streets of the city. United by their love of skateboarding, they formed a family and built a unique lifestyle that eventually inspired Kids, a groundbreaking and outrageous film directed by photographer Larry Clark and released in 1995.

During one of their night stays, three college teens play a silly prank where they randomly call people and tell them that they know who that person is and what they have done. What will happen when things take a dangerous turn?

Part police thriller and part exploration of the dark side of men's attitudes about women, Hygiene de l'assassin concerns a young female journalist, Nina (Barbara Schulz). Nina has scored a plumb assignment, an interview with Tach (Jean Yanne), a well-known but reculsive novelist who rarely speaks to the press. After he passes along his less-than-charitable views about women (including the belief they should be killed in childhood, before they start to menstruate), Nina concludes the interview, but soon finds herself interrogated by police when Tach is found dead and she is the key suspect.

Yeliz starts to see nightmares on the night of her 25th birthday. She sees bloody and dirty hidden secrets about her family. As she tries to escape from these nightmares she is approached by an old family friend who wants to help her. But the enemy is not from this world. Together they face the world of jinns beyond the understanding of regular minds. Behold the zone of the jinn.

Jane, a small-town girl, has moved to Helsinki and the world is finally open for her. Passionate and excited, she seeks adventure, all the things she has yearned for so long. Jane gravitates to a gay bar at night, staggers in her nervous state of mind, and suddenly there, right next to her, Jane finds her savior: Piki, the most dashing butch in town. Piki is perfect. Jane is hypnotized by Piki's dark-toned voice. Piki offers her an entire new universe, and even more - dreams.

Fabrizzio hired the services of a prostitute to pretend to be his wife and accompany him to spend a weekend in the country house of his friend Romolo, where Aristides Almirante, an important official of the Ministry of Health, has also been invited. the approval of a new medicine of doubtful effectiveness called Fagatín, whose patent Fabrizzio owns.