This film focuses on contemporary 30- and 40-somethings trying to make sense of their lives in an age in which the old certainties have disappeared. Lorenzo and Davide make their lives together within a circle that includes Antonio and Angelica, married with children; Nerval and her policeman husband.

Tommaso is the youngest son of the Cantones, a large, traditional southern Italian family operating a pasta-making business since the 1960s. On a trip home from Rome, where he studies literature and lives with his boyfriend, Tommaso decides to tell his parents the truth about himself. But when he is finally ready to come out in front of the entire family, his older brother Antonio ruins his plans.

Elena and Antonio seem not to be made for each other. They are too different in terms of character, life choices, worldview, and the way they relate to others. They are total opposites. However, they are overwhelmed by a mutual attraction they're trying hard to avoid; but to which they succumb to.

Overburdened and stuck in a greying marriage, Giovanna takes to caring for a Jewish Holocaust survivor her husband brings home. As she begins to reflect on her life, she turns to the man who lives across from her.

Madame Tutli-Putli boards the Night Train, weighed down with all her earthly possessions and the ghosts of her past. She travels alone, facing both the kindness and menace of strangers. As day descends into dark, she finds herself caught up in a desperate metaphysical adventure.

Antonio and Emma have been separated for years, but he does not accept when Emma dates other men. Indeed Antonio proves obsessive, aggressive and intrusive, and again threatens Emma to hurt the children: little Kevin, shy and introverted, and the adolescent Valentina.

Single and middle-aged, beautiful Irene (Margarita Buy) is wholly devoted to her job as an inspector of luxury hotels. Constantly on the road, she indulges in expensive pleasures at impeccable resorts, but always incognito and alone, soon escaping to the next exotic destination with her checklist and laptop in tow. When her best friend and ex, Andrea (Stefano Accorsi), who has always been a source of emotional support, suddenly becomes unavailable, Irene is thrown into a deep existential crisis. "Luxury is a form of deceit," she is told by a fellow traveller in the fog of a steam room, and thus begins Irene's quest to bring more meaning into her life.

Francesco and Marta run a husband-and-wife design company in Rome. When Francesco's aunt dies in Instanbul he travels there to sort out the hamam turkish steam bath that she left him. He finds a love and warmth in his relatives' Instanbul home that is missing from his life in Italy.

An aspiring actor discovers that his spacious new apartment comes complete with eight friendly ghosts.

In a Naples suspended between magic and superstition, madness and rationality, a mystery envelops the existence of Adriana, overwhelmed by a sudden love and a violent crime.

Orhan who lived in London for years and did not come back to Turkey agrees to help Deniz -a famous director- edit his first book. Deniz has been living in a mansion with his family which started to lose its old brightness and power. Orhan finds himself in the middle of Deniz's complicated relationships, mysterious friends and stange family members. This is the first movie of Ferzan Ozpetek which is shot in Turkey after a long time. It is also based on his own book which has the same name with the movie.

25-year-old philosophy major Marta faces the ugly truth for many young Italians — a complete lack of career opportunities. While babysitting for single mother Sonia, she starts to work as a telemarketer, quickly rising through the ranks of the company, but experiencing first-hand the fanatical and exploitative rat-race culture pushed on employees. Around her revolve people like delusional supervisor Daniela, her boss Claudio, fragile coworker Lucio, and well-meaning but inconsistent union rep Giorgio.

Margherita, a director in the middle of an existential crisis, has to deal with the inevitable and still unacceptable loss of her mother.

When an Italian man comes out of the closet, it affects both his life and his crazy family.

It is an adaptation of the Greek tragedy Medea from Euripides, a version where the Gods willing and intervations are absent. Medea is the tragic character that after helping Jason in the Voyage of the Argonauts (myth says that she has even sacrificed her own brother for Jason's success), she gets from him only betrayal, as he arranges to marry the King's of Corinth daughter. The king decides to exile Medea, as she is a danger for his daughter happiness, but Medea asks from him just a day… before she goes outside the borders. That day Medea gets her revenge.

An aimless college graduate jumping from one job interview to another — killing time in between with his deadbeat room-mate — finds his life turned upside down after falling in love with a mysterious woman.

During the reign of King Alboin, the peasant Bertoldo, sly and smart, manages to always get away with pranks and pleasantires with great mastery, and, even if his clumsy wife Marcolfa and their foolish son Bertoldino always put him in trouble, his shrewdness and acumen save him from any unfortunate situation...

A story of the impossible love between one of the Sultan's concubines and one of his eunuchs in a harem at the end of the Ottoman Empire.

Alex, a high-school boy fond of rock and punk music, falls in love with Adelaide, who shares his feelings but doesn't want to get too involved because she will soon leave for studying in America. Alex gets relief in music and his friend Martino who leads what looks to him as a more complete life.

Alberto, a newspaper man, tries a one-time shot of living the good life with the help of his penniless mentor.