Based on true events, "Nitram" lives with his parents in suburban Australia in the mid-90s. He lives a life of isolation and frustration at never fitting in. As his anger grows, he begins a slow descent into a nightmare that culminates in the most heinous of acts.

The film is based on 'Fikrimin Ince Gulu', a novel by Adalet Agaoglu, which depicts a first generation gurbetci/guest-worker returning home. It covers his land journey in short bursts from Germany to the Turkey's west border - and extensively from thereon to his village close to Ankara - capital of Turkey. He begins his journey purchasing a second hand yellow Mercedes - possibly his first car - using his meager savings working as a laborer. Offering deep insight into the mind of a manual laborer Bayram (Ilyas Salman) making his first trip back home, resorting to flashbacks in highlighting Bayram's motivation and experiences from his childhood right up to the events leading to his first departure from Turkey to Germany.

Fleeing from despair after losing those dearest to him, the hero hides in a safe land of memories, where time stands still and all those dear to him are alive.

Mark, a new and inexperienced rugby club member, finds himself drawn to Warren, a seasoned first team player. When a series of happenstances at an away fixture lead to a drunken encounter, Mark and Warren unwittingly embark on a romantic affair they struggle to hide from their partners and teammates.

This documentary explores the changing landscape of Venice, whose residents are starting to leave in droves as 30 million tourists visit each year.

Fuat is forced into an "advantegeous" marriage to a rich girl due to his family financial lowness. He, however loves another, Aysel. After he loses his best friend, Bedri, to suicide, he rebels against the system with heartbreaking results.

For many Americans, the most difficult questions about 9/11 were not about politics, military strategy or homeland security. They were questions about God, about evil and about the potential for darkness within religion itself. What was it we saw on Sept. 11? Was it the true face of evil? Was it the face of religion? And where, if one is a believer, was God on that tragic morning? A PBS Frontline special.

ในเขตตะวันตกที่ไร้กฎหมาย คาวบอยซึ่งเป็นกลุ่มคนที่มีชื่อเสียงโด่งดังของฆาตกรและโจรครองดินแดนด้วยหมัดที่โหดร้ายและปืนที่เร็ว โชคชะตาได้ไล่ตามพวกเขาในที่สุด และตอนนี้แก๊งที่ไร้ความปราณีเหลือสมาชิกที่รอดชีวิตเพียงคนเดียว เมื่อมือปืนที่ได้รับมอบหมายให้ออกตามล่าคาวบอยคนสุดท้าย การไล่ล่าก็เริ่มขึ้นและกระสุนก็พุ่งพล่าน และมีเพียงชายฉกรรจ์กลุ่มนี้เท่านั้นที่จะรอดชีวิต

Donya, a lonely Afghan refugee and former translator, spends her twenties drifting through a meager existence in Fremont, California. Shuttling between her job writing fortunes for a fortune cookie factory and sessions with her eccentric therapist, Donya suffers from insomnia and survivor's guilt over those still left behind in Kabul as she desperately searches for love.

Three vixens have meditated for 1,000 years to able to shed their animal natures and become human. For the final month of their rigors, they have moved near a village where women pray to a god of fertility. One sister visits the god's temple and thinks lustful thoughts. As she leaves, a priest confronts her, warning of dire consequences and of demons that will try to stop the vixens' transformation. Soon, the youngest sister saves a poor scholar from bandits and becomes enamored of him. Each sister visits him, and before long, the youth has made love to all three. After they invite him to stay with them, the playfulness takes a scary turn. Where can they turn for help?

In the middle of a performance at la Comédie-Française, an actor dies on stage, poisoned. Martin, member of the troupe and friend of the victim, becomes the center of everyone’s attention. Suspected by the police, he’s also chased by a mysterious organization, Le Parfum vert, that seems to have ordered the murder.

Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.

As a patriarchal family yearns for the birth of a son to continue their family line, their youngest son secretly joins an erotic dance theatre and falls for its transgender starlet.

เรื่องราวของชายผู้ถูกทิ้งไว้บนห้วงอวกาศเนื่องอุบัติเหตุที่คาดไม่ถึง และชายอีกคนหนึ่งบนดาวโลกที่พยายามช่วยเหลือเขากลับมา เมื่อภารกิจสำรวจดวงจันทร์ครั้งที่สองของเกาหลีเจอหายนะ การนำตัวผู้รอดชีวิตเพียงคนเดียวกลับสู่โลก จึงต้องพึ่งชายผู้ถูกกล่าวโทษว่าทำให้ภารกิจแรกล้มเหลว

ปลายทศวรรษ 1980 สเตลลา วิกตอร์ อเดล และเอเตียน วัย 20 ปี พวกเขาสอบเข้าโรงเรียนการแสดงที่มีชื่อเสียงซึ่งสร้างโดย ปาทริส เชโร และ ปีแยร์ โรม็อง ที่โรงละครอัลมอนด์ในน็องแตร์ พวกเขาเข้าสู่ชีวิตแห่งความหลงใหลและความรักอย่างรวดเร็ว พวกเขากำลังจะพบกับจุดเปลี่ยนของชีวิตและโศกนาฏกรรมครั้งแรก

Upstanding community leader Nils has just won an award for "Citizen of the Year" when he learns the news that his son has died of a heroin overdose. Suspecting foul play, Nils begins to investigate, and soon finds himself at the center of an escalating underworld gang war between Serbian drug dealers and a sociopathic criminal mastermind known only as “The Count.”

Inspired by events in A.D. 60, Boudica follows the eponymous Celtic warrior who rules the Iceni people alongside her husband Prasutagus. When he dies at the hands of Roman soldiers, Boudica’s kingdom is left without a male heir and the Romans seize her land and property. Driven to the edge of madness and determined to avenge her husband’s death, Boudica rallies the various tribes from the region and wages an epic war against the mighty Roman empire.

Felice returns to his native Rione Sanità in Naples to look after his dying mother, having lived abroad for the last forty years. Here he discovers that his old friend Oreste has become a notorious crimeboss.

An actor past his prime gives drama lessons to prisoners in an attempt to stage "Waiting for Godot."

Véronique is a beautiful young French woman who aspires to be a renowned singer; Weronika lives in Poland, has a similar career goal and looks identical to Véronique, though the two are not related. The film follows both women as they contend with the ups and downs of their individual lives, with Véronique embarking on an unusual romance with Alexandre Fabbri, a puppeteer who may be able to help her with her existential issues.