After a fatal accident occurs, Nathan Perry is assigned to the Milwood facility for young adults. During his time at Milwood, Nathan becomes a victim of unforeseen terror and unusual behavior.

Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

Man tries to decipher a manuscript about an ancient civilization and gets involved in strange situations. In fact, the plot is just an excuse to tackle the subjects of mysticism and human condition.

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

At the invitation of the mysterious Elijah, the shy, bookish Molly travels to the tiny island of Little Neck for his annual party. When she arrives she finds that all the residents, other than a small, tightly knit group of Elijah's friends have left for winter. When Elijah doesn't materialize at his own party, his guests carry on in his honor, having a bacchanalian night fueled with booze and psychedelics, playing games and telling stories of their absent friend. As a storm threatens their night of fun, Molly experiences a surreal evening of emotional and sexual exploration she won't soon forget.

Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.

Ted Howard, a vaudevillian left, stranded in a tank town. A local girl, Mary (Sally O'Neil), proposes to finance a new act with her savings and the team succeeds in a minor way until Ted is discovered by Broadway femme fatale Valeska (Carmel Myers). Not wishing to stand in her partner's way, Mary nobly resigns from the act and instead accepts a minor role in the show. She proves a sensation on opening night, however, and a jealous Valeska demands her ousted. But Ted, who is in love with Mary, reorganizes their old act and they begin a new life together as man and wife.

Inspired by the filmmaker's own story, an aspiring screenwriter and musician's life quickly unravels when he is diagnosed with a crippling form of OCD. While struggling through his darkest hour, he must help himself and those around him tackle a litany of universal issues: grief, coming-of-age, addiction, redemption and the power of social connection.

A family, trying to pull themselves together after losing their infant son, moves into a new home, where, almost immediately, the mother begins experiencing paranormal phenomena. She finds it playful at first, but as it grows increasingly malevolent, she is unable to convince her husband of it, and she must contend with it to protect her family from its influence.

A glimpse of London in 1963, viewing monuments, buildings, parks, museums, and the bustling life of the city.

Radiation oncologist and choreographer Dr. Niraj Mehta seeks to heal cancer through movement.

Without question, this is an incredibly bizarre production. The revised storyline makes little sense, and there is a surprising amount of violence and sexual innuendo. However, the singers are superb, both vocally and in regard to their stage presence and acting, the orchestra plays beautifully, the chorus is wonderful, and the set is as clever as it is strange. It's definitely not for purists, or for someone new to this particular opera. But for someone who's seen Die Entfuhrung before, and is familiar enough with the original story to not miss it, watching Belmonte, Constanze, Blonde, Pedrillo, and Osmin embark on an entirely new adventure -- and push the boundaries of good taste -- is rather enjoyable.