A young photographer's home is haunted by it's former residents.

Mexican feature film

"Worm" tells the story of a man wanted for a double homicide in the small town of Guthrie, OK. Jason "Worm" Truitt has a young daughter that he loves dearly - and a beautiful girlfriend that he feels is out of his league. Worm is always doing the wrong thing at the wrong time, taking odd jobs for shady men, and even breaking the law from time to time. He is constantly tailed by the local Sheriff, and constantly berated by his own Father and friends. The film plays out as a Southern Neo-Noir of sorts. A modern day "whodunit" tale told using a chest-mounted Snorricam. The audience journeys with Worm as he tries to clear his name and make safe the ones he loves. Along the way, he is entangled in a small town crime syndicate and nearly loses the people that mean the most to him. Did he commit this heinous crime? Will his past sins catch up to him? Only God knows.

By agreeing to keep his crush's secret, a college student becomes her friend. But things soon fall apart when she gets swept up in scandalous rumors.

สำหรับมาลิคและเอริค สองเพื่อนซี้ที่ สนิทกันราวกับพี่น้องซึ่งอาศัยอยู่ใน อาคารชุดโครงการเคหะของรัฐบาล เมืองชิคาโก คาบรินี่-กรีน วัยเด็กเต็ม ไปด้วยความเป็นไปได้ไร้ขีดจำกัดซึ่ง กว้างไกลยิ่งกว่าบริเวณที่อยู่อาศัยของ พวกเขา ทั้งคู่มองสภาพแวดล้อมรอบ ตัวผ่านสายตาของวัยเด็กที่เต็มไปด้วย ปด้วย จินตนาการอันสวยงาม ในปี 1992 เด็กชายทั้งสองไร้ซึ่งความกังวลใดๆ และมีศักยภาพล้นเปี่ยม ทั้งสองสำรวจ โลกโดยปราศจากความระแวดระวัง หรือความลังเล ไม่ว่าจะเป็นแข่ง กระโดดในสนามเด็กเล่นอย่างยอด เยี่ยม ผลัดกันเล่นมุกชวนขำแบบเด็กๆ หรือชวนกันหนีจากความน่าเบื่อหน่าย ของโรงเรียน ขณะที่ที่บ้าน แม่ของมา ลิค โดโลเรส (เจอร์นี่ สมอลเล็ตต์) ดิ้นรนพยายามที่จะมอบรากฐานเปี่ยม รักเพื่อให้ลูกๆ ของเธอเจริญก้าวหน้า โดยที่อุปสรรคภายนอกไม่สามารถขัด ขวางความฝันของพวกเขาได้ แต่เมื่อ เกิดเหตุสูญเสียน่าสลดซึ่งสั่นคลอน

Sibling rivalry and other conflicts are revealed as one daughter, now a successful modern artist living in New York, returns to visit her Texas family.

Bety was Diana's childhood friend. They grew up together, attended the same school, share the same friends. But Bety is in prison now and Diana wants to understand how her friend got there, so she decided to make a documentary about her friend.

Captain Kirk. T.J. Hooker. Denny Crane. Big Giant Head. Alexander the Great. Henry V. Priceline’s Negotiator. These are but a handful of the innumerable masks worn by William Shatner over seven extraordinary decades onstage and in front of the camera. A peerless maverick thespian, electrifying performer, and international cultural treasure, Bill (as he prefers to be called), now 91 years young, is the living embodiment of his classic line “to boldly go where no man has gone before.” In unprecedented fashion, You Can Call Me Bill strips away all the masks he has worn to embody countless characters, revealing the man behind it all.

Two shoeshine girls and a newspaper vendor survive in the Mapocho neighborhood of Santiago. While looking for better luck, Maruja becomes involved with a businessman who helps her become a famous singer. Meanwhile, the two shoeshine boys happen to come across some money from a bank robbery, changing their luck.

Originally released in 2001, Disposable Arts is a thematic/concept album by Masta Ace. The concept follows that Masta Ace is being released from prison, his return to home and joining ‘The Institute of Disposable Arts’. The album is one complete story with the skits and songs together. The album contain many guest artists like Masta Ace’s own group eMC (Stricklin, Punchline & Wordsworth), Apocalypse, Greg Nice, Rah Digga, J-Ro, King T, Jean Grae and more. Also a bunch of different producers, this album is seen as a classic album by most Hip Hop heads. This reissue by Below System, contains almost a 2 hour making of DVD where you will see most of the contributors to the Disposable Arts album. Interviews, stories behind the tracks and more content about the making of Disposable Arts.

Push your legs ‘til they beg for mercy with power and plyometrics, all at your MAX.

One day, a man living in pain with a hole in his heart due to loneliness and solitude meets himself as a child.

A husband and wife meet three years after their formal separation, when they return to the provincial town where they once lived to pick up their divorce decree.

Marshal Kirk Reed is escorting five female prisoners---killers all--- from one part of Texas to another part of Texas where a new prison has been built. Along the way he has to deal with dissension among the troops, attacks by the Comanches, a budding romance with Ellen, The Missouri Lady, (before her ex-husband, The Missouri Kid, shows up in an attempt to rescue her.

The film's story revolves around Asakusa-born-and-raised Gen, who helps out at his family's strip club. With his friends Makoto, Jimmy, and Mattsun, the four get into fights together, as well as help out with watching out for Gen's family. One night, Gen is told by his father to pick up a woman at the train station. There, he finds the beautiful Chōcho (lit. butterfly), and falls in love with her at first sight. However, he finds out that she is the #1 strip girl in Osaka, and Gen gets eccentric when he finds out that she'll be living in "England Theater," the strip club his father runs.

The film shows the eternal conflict between the happy, carefree sector of Mexican high society, and the oppressed poor rural sector. The protagonist is Tomás, a restless and lucky boy. Tomás is the point of convergence between the conservative system which is threatened by the terrible injustice of the Third World.

This is where it all began....