PEOPLE is a new collaboration of riders and filmers from Mack Dawg Productions. Directed by Pierre Minhondo and Justin Eeles. This newly formed collective combines the talents, attitude, and fun-loving folks from such films as kidsKNOW’s “Burning Bridges,” and Neoproto’s “Some Kinda Life”. Learn, watch, and follow these PEOPLE as they show you real snowboarding in their own form. From our cities to yours, look forward to watching: Jon Kooley, Justin Hebbel, Nima Jalali, Jordan Mendenhall, Curtis Woodman, Mitch Nelson, Bryan Fox, Etienne Gilbert, Robbie Sell, Stephen Duke, Pat McCarthy, Shaun McKay, Josh Mills, Marius Otterstad, Jussi Tarvainen, and Ryan Thompson. -Released August 2006.

After learning that his girlfriend recently broke his typing test record for a friendly competition, Danny attempts to gain the record back in the middle of a work meeting.

Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

A young man returns home for the weekend to discover the difficulty of juggling friends, parents, magic mushrooms and several thousand chickens.

A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.

She-wolf man, totem, gospel readings or fire circle, they all build day by day a queer ceremonial with syncretical inspirations.

Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.

With a flu epidemic running rife, three new bumbling recruits are assigned to Inspector Mills police station. With help from Special Constable Gorse, they manage to totally wreck the operations of the police force and let plenty of criminals get away, even before they arrive at the station. They all have to prove themselves or else they'll be out of a job and Sergeant Wilkins will be transferred. Sub-plots include romances between Wilkins and Moon, Constable and Passworthy.

ยูล บรีนเนอร์พร้อมดาราดังสมทบอย่างโรเบิร์ต ฟูลเลอร์, วอร์เรน โอตส์ และโคลด อคินส์รับบทในภาพยนตร์ผจญภัยตะวันตกจากเรื่องราว 7 สิงห์แดนเสือในตำนานเมื่อพวกเขาต้องบุกเข้าในเม็กซิโกและต้องเจอกับการดวลปืนสุดระห่ำ

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times

At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.

The story of Ishi, who became known as the "last wild Indian" when, at about 50 years of age, he wandered out of the woods in Oroville, Cal., in 1911. He died five years later; and his brain was sent to the Smithsonian Institution in Washington, D.C.. Eighty years later, however, his descendants successfully fought to have his remains repatriated to his ancestral home.

After Lisa's brother mysteriously dies, she and her college friends go to her family home for answers. They are shocked to discover that his killer was non-other than the Christmas demon, Krampus.

After the apparent suicide of her daughter, a woman tries to prove that her son-in-law killed her.

ทริปฉลองวันเกิดนำพากลุ่มเพื่อน 6 คนไปยังเกาะลึกลับน่ากลัว ก่อนที่ทุกคนจะได้เจอเรื่องอาถรรพ์และเผชิญกับเหตุการณ์นรกบนดิน

A Korean riff on The Terminator.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.